By: Ray Day

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Ray Day
ray.day@stagwellglobal.com 

We wanted to share our latest consumer and business insights, based on research from The Harris Poll, a Stagwell agency. 

Among the highlights of wave 138 (fielded Oct. 14-Oct. 16) in our weekly consumer sentiment tracking:

ECONOMY, INFLATION WORRIES UP AGAIN:

Today, 89% of Americans are concerned about the economy, inflation and jobs – up 3 points from last week.

    • 85% worry about a potential U.S. recession (up 3 points)
    • 83% about U.S. crime rates (up 2 points)
    • 74% about political divisiveness (up 1 point)
    • 74% about the War on Ukraine (up 1 point)
    • 73% about affording their living expenses (no change)
    • 60% about a new COVID-19 variant (up 3 points)
    • 48% about the Monkeypox outbreak (up 1 point)
    • 47% about losing their jobs (down 1 point)
VOTERS SEE ECONOMY ON NOVEMBER BALLOT:

Mid-term elections are less than three weeks away, and inflation and the economy might be casting the deciding votes, according to our latest survey with Harvard’s Center for American Political Studies.

    • When asked to pick the most important issues facing the country today, voters identified inflation (37%), the economy and jobs (29%), immigration (23%) and crime (18%).
    • 73% believe inflation is increasing (versus 12% who say it is moderating and 14% who say it is staying the same).
    • 65% think the U.S. economy today is weak (versus 35% who say strong), and 57% say their financial situation is worse (up 20 points from a year ago).
    • 84% think the U.S. is in a recession now or will be in the next year.
    • 65% oppose easing sanctions on countries like Iran and Venezuela to lower gas and oil prices. Instead, they want greater output of American oil and gas.
    • 54% think the U.S. should cut military sales and technical aid to the Saudi Arabian government in response to its oil production cut.
NO KIDS = FREEDOM, MILLENNIALS SAY:

Americans are having fewer children than are needed to keep population numbers stable. Yet why are people choosing not to have children? In our survey:

    • Of those without children, 52% do not want to have a child in the future, while 20% remain unsure.
    • For those who have decided against having children, 54% want to maintain their personal independence/finances, 40% want work-life balance, 33% say it’s due to housing prices, 31% cite the current political situation, 31% say it’s because of safety concerns, and 28% cite climate change.
    • 55% of men and 53% of women reported that their desire to maintain independence influences their decision not to have children.
    • 65% agree that the freedom that comes with not having kids brings them happiness – increasing to 73% among Millennials, according to a similar survey with Fortune.
CREDIT SCORES IMMUNE FROM PANDEMIC:

The pandemic disrupted many Americans’ finances, yet that did not translate into lower credit scores, according to our survey with NerdWallet.

    • 27% of Americans say their credit score has gone up since the beginning of the COVID-19 pandemic, with just 14% saying it declined.
    • 69% with increasing credit scores attribute the gain to paying down debt.
    • For those who saw their scores drop, 47% attribute it to taking on or increasing debt.
    • 65% with higher credit scores took financial action as a result, such as applying for a rewards credit card (30%) or a mortgage/home equity line of credit (25%).
    • 61% of Americans plan to act during the next year to improve their credit scores, with half (49%) planning to pay off or pay down debt.
    • Still, credit misconceptions remain, with 46% of Americans incorrectly believing that closing a credit card you don’t use can help improve a credit score.
1 IN 4 ARE HALLOWEEN CANDY LOYALISTS:

With Halloween around the corner, our survey with Instacart has revealed consumers’ latest candy-buying habits.

    • 72% of Americans say they like Halloween.
    • 24% say Halloween is their favorite holiday.
    • 84% of people who buy Halloween candy will buy chocolate, while 56% will purchase fruity and chewy candy.
    • 23% of Americans are candy loyalists – with 65% buying the same Halloween candy for five or more years, and 40% buying the same types of Halloween candy for 10 or more years.
    • 63% of Americans report they now love a type of Halloween candy that they hated as a kid. Of those, 29% say they now love licorice, an 28% have developed an affinity for candy corn.
ICYMI:

In case you missed it, check out some of the thought-leadership and happenings around Stagwell making news:

As always, if helpful, we would be happy to provide more info on any of these data or insights. Please do not hesitate to reach out.

 

Thank you.

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Mark Penn
Chairman and CEO, Stagwell

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When I ran campaigns, I used to lament that corporations would spend more on marketing a hamburger than marketing political ideas and efforts. Back then, campaigns were struggling shoestring enterprises. No longer.

Today, campaigns and issue groups spend billions of dollars (much of it ineffectively) on communicating to voters, and fundraising at large has become big business. Ironically, the rocket fuel for all this was not the much-maligned Supreme Court decision Citizens United that gave corporations political speech rights. Rather, it was the internet – opening up a far speedier and cost-effective method of motivating voters and fundraising from them. Everything we condemn about politics and social media today – the speed of clickbait, the sensationalizing of small news events, the partisan divide – has paved the way for online fundraising and its explosive growth.

Political advertising spend is rapidly breaking records

Political advertising will hit $7.8bn in the 2022 midterm elections – nearly approaching the $8.5bn spent across TV, radio and digital media in the 2020 presidential cycle. We are seeing continued growth in campaign spending, and each mid-term is coming close to the previous presidential runs in spend. Each president leaps to a new record in political expenditures. It will take a set of really mundane candidates with a runaway winner to break this ever-increasing cycle. Absent that, this is a double-digit growth spiral for several more election cycles. I never thought I would see $10m Congressional races and $100m Senate contests, and yet those are now everyday occurrences.

Digital fundraising is rising at a faster rate than overall spending

Of the $14.4bn in paid media spent during the 2020 cycle, 49% was raised online. The 2022 cycle should exceed $14bn in paid media spend, with over 60% likely to come from online fundraising. To put that in context – in 2014, less than 9% of the $4.4bn in contributions came in via online donors. Democrats, who are notably vocal about money in politics, spend the most – generally about 50% more than the Republicans.

Donors today are largely first-timers – and start small

For most donors over the last few cycles, giving to politics has been a new experience. Most of these contributions aren’t from big-dollar donors or PACs, but low-dollar donations from average Americans giving amounts between $30 and $100 (76.1% of Act Blue Democratic donors in 2020 were first-time donors).

Americans have a love-hate relationship with political giving. When asked to give $1 on their tax return to fund campaigns, most Americans said ‘no’ to the voluntary check-off, and the fund was running out of money. Taxpayers generally believed politicians should finance their own campaigns and leave the public out of them. In the ‘70s and ‘80s, candidates used direct mail to gather low-dollar gifts, but it was slow and expensive. In 2008, social media entered the scene and spilled over into news and politics. With its proliferation of inflammatory messages and clickbait, social media was the ideal incubator for online giving. While less than 1% of voters donated to campaigns in the past, that number is now up to 10% and continues to grow.

How companies can mimic political fundraising techniques

I always call online fundraisers the best marketers in the world. Why? Because in return for their funds, consumers get absolutely nothing of tangible value – no product and not even a tax deduction.

What makes them such good marketers? They believe in math. They have hundreds of people who craft messages, then test them methodically and go big with the ones that work. They refine their lists, carefully managing their communications to people to avoid overload or confusing and contradictory messages. And they utilize low-cost, effective messaging techniques, driving campaigns through email and increasingly via text messaging, as consumers switch their preferred communication modes.

Today, these fundraisers employ the process and rigor that most corporations should envy: ample message creation, thorough testing, careful media mix modeling and rigorous adherence to performance standards and return on investment. Politics once again leads the way in how to structure and carry out effective online marketing. This rigorous approach would and is working for commercial online marketing, though retail marketers have more limits on how aggressive they can be. Still, they can treat Thanksgiving, Prime Days and Christmas as a kind of commercial election day, working up to harvesting sales in the same way that political fundraising is mostly prospecting until the campaign’s final months. Commercial marketers can also be more aggressive via text messaging to mimic these successful political messages.

Political fundraising is only starting to hit its groove and has many potential roads for broad expansion. While online fundraising exploded in 2020, only 20% of the 180 million Americans who voted in that cycle donated to a campaign, and under 2% of the country gave over $200. By comparison, over 70% of Americans gave to charity in 2020, totaling $324.1bn in individual contributions that mirror the scale and spend of small-dollar political contributions. The addressable digital advocacy and political fundraising markets represent massive growth opportunities.

Galvanizing the masses around a cause: still the mandate

Online political fundraising is, in essence, fan marketing. It’s about getting those who care most about your brand to be even more passionate and committed. When an employee of a competitor company insults a customer, don’t just sit there – use it to your advantage and broadcast it to your loyal fans. Most commercial marketing, even online, is passionless and saccharine; if you want to be as successful as political marketers, you will have to take some risks and be bolder. Now, this may not fit all corporate brands, but that’s the advantage that upstart challenger brands have in the marketplace – they can be free to be out there, within the bounds of good humor and taste.

To be clear, political ads continue to be a discipline unto themselves, built primarily around negative messages with no clear analog in commercial marketing. Online fundraising also includes tough negative messages, but is built mainly around bringing people together as part of a group that wants to help a cause. This new technique is at the forefront of what’s possible in this new online world as more and more people are plugged into news and current events. Online fundraising can and will expand into the not-for-profit world, but it will surely lead the way in fan marketing for breakthrough companies as well.

Mark Penn is chairman and chief executive officer of New York-based marketing group Stagwell.

 

 

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Jason Nottee
AdWeek

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A Ted Lasso star and a sports journalist showcase athletes without a brand mention in sight

A brand doesn’t need an ad or sponsorship to prove its worth. Sometimes, it just needs a story.

 

In 2019, Nike and Observatory partnered to ask themselves a question: Why not build an entertainment studio focused on sports and culture? Instead of trying to wedge diverse, relevant stories into 30-second ads selling products, why not make feature films, documentaries, TV series and podcasts devoid of pitches, gear and the Swoosh? Nike’s Waffle Iron Entertainment sprouted from that discussion.

Named for the kitchen gadget that University of Oregon track and field coach Bill Bowerman used to makes Nike’s first running shoes, Waffle Iron Entertainment sought to tell sports stories through the lens of larger cultural events. One of its earliest efforts, the Crackle series Promiseland, followed Memphis Grizzlies rookie Ja Morant as he navigated the National Basketball Association, Covid-19 and the aftermath of George Floyd’s murder. It next project, HBO’s The Day Sports Stood Still, followed basketball star Chris Paul during the NBA’s reaction to the pandemic and social justice protests in 2020.

In June, Waffle Iron and Observatory teamed with AudioUp Media, Range Media Partners and iHeartMedia to create the documentary podcast Hustle Rule. Based on the book Under the Lights and in the Dark: Untold Stories of Women’s Soccer by journalist and award-winning filmmaker Gwendolyn Oxenham, Hustle Rule tells the stories behind professional soccer players’ rise to their sport’s upper echelons.

 

Hustle Rule trailer

It launched on June 23, the 50th anniversary of the Education Department’s Title IX rule prohibiting schools from discriminating based on sex, and concluded on July 28 just before the Women’s Euro 2022 final.

“There was never a sense that this was an advertisement for Nike or anything like that,” Oxenham said. “What blew my mind was that Waffle Iron, from the beginning, was just interested in telling these stories because they thought they were meaningful.

“These are stories that no one had ever heard of, and that didn’t deter Waffle Iron for a second.”

From professional soccer to hockey, from football to boxing and mixed martial arts, storytelling across multiple mediums is now critical to sports marketing. Fans want to hear their favorite athletes’ stories in the own words on familiar platforms without being asked to buy a product.

To get there, sports brands must be willing to forego sales in the short term to create fans and athletes who’ll come back with more expendable income later.

“You can only say so much in a 30-second commercial or a 60-second commercial, but the true storytelling can come through in a podcast series, in a television series, in a film,” said Brendan Shields-Shimizu, Observatory’s CEO. “If you can get consumers saying, ‘Wow, I want to go watch this content because it’s actually interesting and doesn’t feel like an advertisement, but I’ve learned something from it or I felt happy from it,’ that’s where I think brands are going to be playing in the future.”

 

Finding a reliable narrator

Waffle Iron, AudioUp, Range Media Partners and Observatory sought a tone that would resonate with fans. They gave the series its own anthem—”Won’t Stop” by producer and songwriter A1 Le Flare—and searched for a voice to connect the stories while contributing a narrative all its own. They landed on Hannah Waddingham, the veteran actor best known to American fans, at least, as AFC Richmond owner Rebecca Welton from the AppleTV+ series Ted Lasso.

Samuel Brennan, Observatory’s brand supervisor, noted that Waddingham’s experience on screen as well as in West End and Broadway productions gave her command of the podcast’s audience. At points throughout the series, she intersperses stories about her stage career, her Ted Lasso-influenced love of soccer (and the Euro 2022 champion English women’s national team) and her daughter’s love of the game.

“All our eyes lit up, and we all jumped when her name came up, said Observatory’s Chief Creative Officer Linda Knight. “That’s when you know you’ve got the right person, when everyone’s like, ‘Yes, she would be perfect for this.’”

 

 

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Jack Neff
AdAge

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Rebranding effort is first work by 72andSunny for Zoom, with VaynerMedia handling global media push

Zoom is launching a new visual identity with help from a new agency, Stagwell Group’s 72andSunny, as the brand looks to go from ubiquitous video app to full-fledged business communications and collaboration platform.

The campaign, which launched Sept. 12, is the first for the brand from 72andSunny, which is working on a project basis. It will be running across digital, out-of-home (including Times Square), social media and streaming services in North America and globally. VaynerMedia is handling the media buy.

It backs Zoom’s new visual identity and push for broader business communications relevance—including Zoom Chat, now officially re-dubbed Zoom Team Chat.

Certainly Zoom doesn’t have an awareness problem since it became woven into the cultural fabric of work during the pandemic starting more than two years ago. Just one more reminder of its status as an “essential business tool” came Thursday when a service outage hit tens of thousands of users who were suddenly deprived of their video workplace tether.  Zoom quickly restored the service.

But the new identity and creative are meant to show that Zoom is more than the video grid of co-workers that’s become an everyday virtual workspace for millions, even as more people spend more time in the office.

“Partnering with Zoom at this time of evolution is the kind of challenge we love, with the kind of partner we love,” said Carlo Cavallone, global chief creative officer of 72andSunny in a statement. “We had a very collaborative process to get to the design concept at the core of the platform. We’re excited because it’s a clear, powerful creative idea that opens a lot of new possibilities for the brand.”

The ads pile extra o’s into the Zoom name to point out that the company is also about phone, Team Chat, rooms, events, team whiteboards, contact centers and other services.

“What started as a video meeting app quickly moved into broadcast webinars, connected conference rooms, and more, and it continues to evolve and expand,” Zoom Chief Marketing Officer Janine Pelosi said in a blog post.

A big part of the new branding is to focus on the Zoom Team Chat collaboration and messaging hub as the company looks to broaden its involvement in a work tool space where Slack, Microsoft Teams and Miro, among others, compete.

“We’ve already made significant investments in Zoom Team Chat’s capabilities, and we’ll unveil even more enhancements later this month,” Pelosi said.

 

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Adweek

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Looking to highlight what separates itself from competitors, Vivid Seats is going all in on its rewards program.

The ticket marketplace is debuting the first brand campaign for its Vivid Seats Rewards Program, which offers fans a free reward credit for every 10 tickets purchased. To promote the loyalty plan, Vivid Seats, with the help of agencies 72andSunny LA and Assembly, engineered an innovative media plan that gives one of SportsCenter’s most iconic features a new look.

“We’re not just coasting off of our laurels and performance marketing,” Vivid Seats chief marketing officer Tyra Neal told Adweek. “It is something we’ve always been great at, but building the brand side and getting people to come back and want to use Vivid Seats again has been some of the focus of my time here.”

Developed with creative agency 72andSunny LA, the ad features a librarian imagining the endless possibilities of what her free 11th ticket will be. She then transports from the relaxed stylings of a library to the raucous experience of live events such as a music concert or a sporting event.

 

Why it’s pushing loyalty

Customer loyalty has been front and center in Vivid Seats’ marketing plan since it underwent a rebrand last summer and changed its logo. Vivid Seats’ brand messaging has focused on its rewards program, which is one of its differentiators from its competitors. SeatGeek does not have a rewards program while Vivid’s other competitor, StubHub, has an auto-enrollment program that offers perks such as early VIP access or discounts to customers who have spent $10,000 or more on ticket purchases within a 12-month period. TicketMaster’s loyalty program—Audience Rewards—focuses on just Broadway and the performing arts.

The focus on building connections with consumers has seen some returns. Neal shared that Vivid Seats saw upward of a 10% increase in repeat rates for NBA and NHL ticket sales and is seeing similarly fast repeat rates in MLB.

Vivid Seats’ loyalty program allows fans enrolled in the rewards program to earn a stamp for every ticket they purchase. Once a fan has 10 stamps, they gain a reward credit amounting to the average value of the 10 stamps they’ve collected. Vivid Seats also has a tiered system with three levels titled Rising Star, Super Fan and Icon. Through these levels fans can receive ticket upgrades, exclusive access to industry events and other VIP perks.

The power of 11

The spot will air starting tonight, with its debut taking place during ESPN’s Monday Night Football game. It will run throughout the season according to Neal.

As a tie-in to the number 11, Vivid Seats will also sponsor a bonus 11th play on ESPN’s SportsCenter Top Ten, making it the first brand to add an 11th play to the segment.

The media campaign was done in collaboration with omnichannel agency Assembly.

Vivid Seats is also taking over the homepages of publications and official ticketing partners Rolling Stone, Bleacher Report and ESPN on Nov. 11 or 11/11. Additionally, it is partnering with global influencer marketing and technology agency Viral Nation to feature 11 different influencers for its “Real Rewards for Real Fans” social campaign.

Picks and tix

Toward the end of last year, Vivid Seats purchased sports betting app Betcha Sports for $25 million. It rebranded the app as “Vivid Picks” and integrated it into Vivid Seats as one app this summer. The brand is also debuting a separate ad for Vivid Picks in the fall.

“We’re offering fans something that other secondary ticket providers cannot which is not just a ticket, but an experience, especially on the sports side,” Neal said, explaining customers can double down on their favorite teams by seeing them in person and making picks inside of Vivid Picks.

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NEW YORK: PR pitch platform PRophet partnered with the Harris Poll to better understand the role that tech, and specifically AI, plays in the PR industry and found that nine in 10 respondents said AI is worth investigating.

The survey found that a large majority of PR pros say AI has potential: 92% said it could transform the way that PR is conducted and think it’s worth exploring. More than half, 55%, pointed to the benefits AI could bring to predicting media interest and sentiment, and 83% suggested it could address staffing shortages. A large majority (90%) responded that AI could help them spend more of their efforts on higher-value tasks.

Despite the optimism expressed by many, other respondents said they do not know enough. Eighty-five percent said they want to know more about AI capabilities within the industry, while 50% acknowledged that they don’t know how AI can be leveraged by PR pros.

Respondents said the biggest opportunity lies in pitching. The survey found that a large percentage of PR pros rely on experience (75%), relationships with journalists (66%) or their gut (72%) when it comes to identifying and pitching the right journalists. But with more finding it difficult to get earned media pickup (77%), a majority (80%) responded that they need better tools to increase coverage.

The Harris Poll conducted the survey online, garnering responses from 127 PR pros primarily based across the U.S.

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This episode of Is This Thing On? features our Managing Director Andrew Noel and EVP & CMO of Seminole Hard Rock Jeff Hook discussing the iconic brand’s growth, challenges, and maintaining a consistent global brand story. Throughout the podcast they cover:

  • How Hard Rock properties became iconic destinations
  • The company’s multilayered business model
  • Building Unity – a loyalty platform that ties together 140 million guest experiences
  • And much more! 

We’ve included the full transcript of the conversation below for easy reading, and please make sure to have a listen on Amazon, Apple Podcasts, Audible, iHeart, Spotify, Stitcher, TuneIn, or wherever else you get your podcasts!

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Assembly Political Media Practice

 

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Via the Assembly Political Dispatcher. Sign up to receive weekly insights here.

Knowing dollars in market is crucial, but what about other important factors? How can we really tell just how fiery a market is, and how much competition advertisers are up against? That’s where AMII comes in.

The below map shows the scale of Assenbly’s AMII values system – tracking 200+ DMAs to uncover key local market insights and implications for determining which DMAs to place spots and how best to distribute them among markets

What’s our AMII Methodology?

The AMII is a 1-10 scale of how crowded we project that a given market will be during the 2022 election cycle. How do we classify “crowded”? We look at multiple factors, including the size of the DMA, the number of races, how stiff the competition is among the races in that DMA, expected outside or issue group involvement, spillover into competitive districts/states, and geographic location of the market within an already competitive state. So, think of 10 as the most crowded, hottest DMA, and those closer to 1 as cooler markets. 

 

Check out our political spending heat map, layered with AMII values for 15 DMAs, ranging from this election season’s hottest markets to the biggest city metros.

 

WHAT’S THE CHATTER?  

Connections & Conversations

What are the most talked about issues in the news? Below is a visualization that shows the top headlines over the past two weeks from the biggest political news handles such as POLITICO, MSNBC, The Hill, and more. Headlines were analyzed and grouped to show connection points between topics taking place across America. 

Key Figures

What This Means

Judging by the size of the conversation (9.2%), women’s rights is still a big part of the landscape as we begin to see the impact of new regulations in a post-Roe world. Brands need to recognize that many consumers have heightened anxiety about healthcare, so an empathetic tone will go a long way.  

Both sides are working to reduce inflation (9.1%) in different ways, from student debt relief and energy conservation to lowering shipping and trucking regulations. Brands can enter the conversation by being transparent around their own supply chain and the ways they’re working towards easing inflation.

In the weeks before the search, Trump (11%) was fading from the news cycle. The investigation now puts him back in the spotlight as new information comes to light. As the divisive conversation continues, brands will need to understand how to navigate these topics while finding middle ground in order to resonate with a diverse audience set.

RATINGS ROUNDUP 

National News Trends

 

What We Know

Broadcast news has seen a decline in national ratings year-over-year. Of the big 3 cable news networks, CNN and MSNBC are seeing double-digit declines, while Fox News has shown a 10% increase in its ratings. Some of this erosion can be attributed to a shift in news viewership to streaming platforms.  

What This Means

In this polarizing political climate, viewership trends tend to follow public interest, whether positive or negative.  This midterm election year, people are turning to cable news, not only for self-education about issues, but also to help reinforce ideals they already hold about the direction of the country.  

NEWS OF THE WEEK

NPR: Maxwell Frost, one of the first Gen Z candidates for Congress, has won his primary

 

What We Know

Frost’s campaign is based on key progressive issues, including Medicare for All, a Green New Deal, student debt cancellation, and an end to gun violence. Mr. Frost’s win illustrates the political appeal of a young candidate who can tap into the urgency of the political moment.

What This Means

Maxwell Frost’s win brings light to an important theme: interest in politics is increasing among younger audiences. Technology has given Gen Z a louder voice than ever and a platform for their activism. And the industry has taken note – midterm political spending has shifted into streaming services and emerging social platforms like TikTok in order to reach this audience. It will be more important than ever to monitor the conversation amongst younger audiences and to keep them front of mind this election season.

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Christos Makridis,
Forbes

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An annual average of 70,072 wildfires have burned 7 million acres since 2000—more than double the average annual acreage burned in the 1990s, according to a recent Congressional Budget Office report.

“Average fire events in regions of the United States are up to four times the size, triple the frequency, and more widespread in the 2000s than in the previous two decades… the most extreme fires are also larger, more common, and more likely to co-occur with other extreme fires,” according to a recent study published in Science Advances.

In a pioneering step forward to use non-fungible tokens (NFTs) for social good, YML, a digital innovation agency, just announced the launch of an NFT collection called FIREWATCH that aims to promote education, awareness, and preventative behavior to address the expansion of forest fires and environmental degradation in California. Each NFT corresponds with a parcel of land, priced anywhere from $100 to $100,000 based on the region.

All NFT revenues on the initial sale and 50% of the secondary sales will go towards supporting One Tree Planted, a non-profit organization dedicated to global reforestation. “One Tree Planted specifically sought out regional projects across California that focus on diverse, preventative measures for forest fires, ranging from forest fuels reduction to prescribed fire, reforestation, and biomass utilization activities, and which affect everything from biodiversity, to watersheds, to indigenous groups,” said Ashish Toshniwal, CEO and founder of YML.

“When we were first approached by FIREWATCH, I was just amazed by the out-of-the-box thinking and those are the type of solutions we need. If we’re going to address the world’s climate problems, we need to think out of the box. We need to be creative, we need to innovate. And that’s exactly what FIREWATCH is doing,” said Kyleigh Hughes, California project manager at One Tree Planted.

By purchasing an NFT, holders will not only have digital art that corresponds to the parcel of land that they may intrinsically care about, but also, and much more importantly, contribute towards a new model of potential social philanthropy.

The NFT collection counters the criticism that blockchain is environmentally harmful. “It’s exciting to see Firewatch utilize NFTs on Solana to mobilize community and action around climate change,” said Amira Valliani, policy lead at the Solana Foundation. “NFTs are becoming an increasingly popular way for communities to come together around shared causes. Solana’s advantages as an eco-friendly, low-cost chain make it an excellent home for projects like these,” Valliani said.

One of the major reasons behind environmental degradation is what economists refer to as the “tragedy of the commons.” Because the bulk of wildfires take place on public lands, no single person has an incentive to ensure the health of the land. However, by assigning tokens to different plots of land, NFTs have the potential to create implicit property rights. “Double and triple counting of carbon saved is a major headache in this space. Hence, verifiable, open-source tokens on carbon saved either via power plants that generate renewables or forests that provide carbon sinks could revolutionize climate finance,” said Shivaram Rajgopal, professor at Columbia Business School.

Such an approach to social philanthropy has the potential to unite more left-leaning activists with conservatives, who may tend to be opposed to traditional environmental protection measures, because of the focus on decentralization and property rights.

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It largely flew under the radar on Monday when the Minnesota Twins announced that they had launched ARound – what is believed to be the first shared augmented reality application for live sports – for use at Target Field. While a first, the pilot app could open the door to either value-add traditional sponsorship deals, or open avenues for new sponsors. If the application gains traction, it could create a land rush for not just the other 29 clubs in Major League Baseball, but across the sports property landscape.

ARound is part of Stagwell, a publicly traded high-tech company, that will allow fans to aim their phones at Target Field during lulls in the action, and play games with others at the ballpark. Targeted largely to a younger audience, the concept is not too dissimilar from augmented reality games you may have seen at the movie theater before the previews as part of Noovie. The difference here is it’s not just a single user, but many within Target Field. Apps that will be made available include as BatterUp, Blockbuster, which the Twins and the developers showed me as users throwing digital items at towers and knocking them down, and a game called Fishing Frenzy. Josh Beatty, the founder and CEO of ARound as well as Chris Iles, the Twins’ senior director of brand experience & Innovation talked to me about the rollout that has been in the works for a little over a year.

“What I think Josh has built has some real power and some real legs, because it is able to be aware of everyone around you that is using the app at the same time, creating a shared experience and creating some context around an event that frankly has never been done before,” said Ilse. So that excited me and the Twins as it had never been done before.”

Beatty informed that no user data is collected. No one goes through a sign-up process to use the app. And that the infrastructure is large enough to support tens of thousands of users.

Which gets one thinking? Besides entertaining kids with games and keeping them in their seats, what other value does the app have from a business perspective?

For one, the idea that other types of use cases could be created within the platform. Both Iles and Beatty mentioned that it’s possible to create an experience in which player stats could hover over a player in real-time or other ways to engage the dedicated baseball fan in attendance.

But what seems most intriguing from a business standpoint is that while the initial rollout is skinned as just gameplay for a younger demo, it is fully capable of having the games be skinned in a way that monetizes it.

Ilse and the Twins see the platform as a way to create closer connections to the people and places. “One thing we realized is that you kind of have to have a big audience to make that happen,” said Iles adding that the Twins were receptive from the first conversation, understanding that this is a technology that has a place as value to be added to the ballpark experience.

“To the teams, the fans, and the sponsors,” it adds to sports entertainment.

It’s here that Twins may be hitting on something that is more than just adding to the game experience, but opening up new avenues to the bottom line: sponsors.

The initial rollout is not skinned with any sponsors, but Beatty said that the design of the apps for the Twins takes that in mind.

“I would say [the platform] is tailor-made for sponsorship,” said Iles. “We are launching this sponsor agnostic because we do want to have a clean test of the technology to see how fans interact with it. I’ve always thought that before you can add the sponsorship component you need to show it as it is and let potential sponsors see it the same way. So, we need to prove this thing out. But we feel that it will work well for our sponsors.”

Likely, a shared AR app at the ballpark is not going to garner huge returns in the sponsorship space initially. But it largely depends on other applications that are developed in the future. It either becomes an additional way to activate sponsorship in a larger deal for a client, or brings in new sponsors. Either way, the Twins are hitting on an untapped revenue stream.

For Stagwell, the technology isn’t limited to just at the ballpark. After all, games can be watched through traditional television and streaming.

“Not only are we looking to enhance the in-stadium experience, but with our technology, we can actually bridge this to the at-home viewer as well,” said Sarah Arvizo of Stagwell. “We can bring all the things that are happening with the AR platform in the stadium to their coffee table. And so as they are watching a game, they can have that energy and excitement that is in the stadium, but take that with them wherever they go.”

 

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